By Judy Little
The introductory bankruptcy attracts upon anthropology and sociology, in addition to literary feedback and the fiction of feminist writers similar to Woolf, Doris Lessing, and Monique Wittig, to outline a contemporary feminist comedy. 4 important chapters then discover the results of this comedy within the novels of Woolf and Spark. Little distinguishes among, at the one hand, numerous sorts of conventional comedy and satire and, at the different, the festive or “liminal” comedy to which feminist comedy belongs. either Woolf and Spark mock centuries-old mythic styles and behaviors deriving from simple social norms, in addition to the values rising from those norms. it really is something, the writer issues out, to discover “manners” a laugh, to scourge vices, or to mock the follies of fanatics; it's a even more drastic act of the mind's eye to mock the very norms opposed to which comedy has usually judged vices, follies, and eccentricities. whereas the comedy of Woolf and Spark has a few precedent in festive or liminal celebrations, within which even uncomplicated values and behaviour are deserted, feminist comedy screens its radical nature via implying that there's no solution to the inverted overturned global, the area in progressive transition.
The ultimate bankruptcy considers in brief, within the gentle of the severe version of feminist comedy, the paintings of a number of different twentieth-century writers, together with Jean Rhys, Penelope Moritmer, and Margaret Drabble. The presence of radical comedy within the fiction of those and different writers indicates the necessity for carrying on with cognizance to the speculation of feminist comedy proposed during this study.
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Extra resources for Comedy and the Woman Writer: Woolf, Spark, and Feminism
Comedy and the Woman Writer: Woolf, Spark, and Feminism by Judy Little